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Canvas Print : PHYSIOGNOMY, 1658. The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia
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PHYSIOGNOMY, 1658. The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia
PHYSIOGNOMY, 1658.
The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia, 1658
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Media ID 12407310
1658 Geronimo Hieronymus Jerome Metoposcopia Physiognomy Prisoner Cardano
20"x16" (50x40cm) Canvas Print
Bring the intriguing world of 17th-century physiognomy to your home with our Media Storehouse Canvas Print of "The Forehead of a Poisoner" by Geronimo Cardano. This captivating woodcut, taken from Cardano's Metoposcopia, showcases the belief that a person's character could be read from their physical features. Add this unique and thought-provoking artwork to your decor, and let the conversation piece come to life in your space.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This intriguing print captures the essence of physiognomy, a 17th-century pseudoscience that aimed to determine a person's character and personality based on their facial features. The woodcut, taken from Geronimo Cardano's Metoposcopia published in 1658, specifically focuses on the forehead of a poisoner. The image showcases the intricate details of this ancient art form, highlighting the significance placed on specific facial attributes. The subject's forehead is depicted with precision and depth, revealing subtle lines and contours that supposedly indicate sinister intentions or deceitful nature. Geronimo Cardano, an Italian scholar known for his contributions to mathematics and medicine, delved into physiognomy as part of his broader exploration of human behavior. This particular woodcut exemplifies his dedication to understanding criminal tendencies through physical appearance. The presence of a moustache adds another layer to the interpretation of this portrait. In historical context, moustaches were often associated with masculinity and power; however, in this case, it may symbolize deception or disguise. As we gaze upon this artwork from centuries past, we are reminded not only of humanity's fascination with unraveling mysteries but also how our perceptions have evolved over time. While physiognomy has long been discredited as a scientific practice today due to its lack of empirical evidence and reliance on stereotypes, it remains an important artifact showcasing our ancestors' attempts at understanding human nature through visual cues alone.
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