Hitching Post Collection
Step back in time with these stunning hitching posts, each one a unique work of art created by talented artists from the 1930s and 1940s
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Step back in time with these stunning hitching posts, each one a unique work of art created by talented artists from the 1930s and 1940s. The Horse Head Hitching Post, crafted by Elizabeth Fairchild in 1937, captures the grace and beauty of these majestic creatures. With intricate details and lifelike features, it serves as both a functional post and a striking piece of sculpture. For those who appreciate the thrill of horse racing, the Jockey Hitching Post by Elizabeth Fairchild is a true gem. This masterpiece showcases the skillful craftsmanship that went into creating every delicate detail of a jockey on horseback. Eugene Croe's Cast Iron Hitching Post from 1936 stands tall with its sturdy construction and timeless design. Its durability ensures that it will withstand the test of time while adding an elegant touch to any outdoor space. Robert W. R. Taylor's creations are known for their exquisite craftsmanship, as seen in his Hitching Posts from 1935/1942 and c. 1937. These pieces showcase his attention to detail and ability to bring life to metal through sculptural forms. Pearl Torell's c. 1936 Hitching Post exudes elegance with its flowing lines and graceful curves. It adds a touch of sophistication to any setting while providing practical functionality for tying up horses securely. Bertha Semple's c. 1936 creation combines simplicity with charm in her Hitching Post design. Its clean lines make it versatile enough to complement various architectural styles while remaining visually appealing. Albert Rudin's c. 1941 Hitching Post stands out with its bold presence and intricate detailing reminiscent of classical sculptures found in ancient civilizations around the world. Albert Ryder's c. 1938 creation offers a whimsical twist on traditional hitching posts with its playful design elements that add character to any outdoor space or garden area. Vincent P.