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Canvas Print : Ploughing in Stormy Weather, 1853 (oil on canvas)

Ploughing in Stormy Weather, 1853 (oil on canvas)



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Ploughing in Stormy Weather, 1853 (oil on canvas)

2956825 Ploughing in Stormy Weather, 1853 (oil on canvas) by Gilbert, John (1817-97) and studio; 76.2x191.77 cm; Private Collection; (add.info.: This highly successful self taught painter, knighted for his illustrative work, also painted moody landscapes influenced by Constable. After a debilitating series of strokes from 1888, several paintings remained unfinished in his studio, sketched in with the brush in the manner of late Rubens. His studio assistant and amanuensis, Catherine Eggar, to whom he left £ 10, 000 in his will, finished this one, labelling it so on the back. She also exhibited as an artist in her own right, both under her maiden name of Eggar and her married name of Banks, and wrote a biographical note about Gilbert prefacing the posthumous exhibition of his work that she largely organised.
titled and labelled " Mrs. J. Oldham Banks/ Oil. unfinished. designed by Sir John Gilbert in [his]/ illness. finished by Catherine A. Eggar (B[anks)]/ Ploughing Stormy Weather/ 53" ); Photo eThe Ms Gallery, London; English, out of copyright

Media ID 23260938

© The Maas Gallery, London / Bridgeman Images

Agricultural Vehicle Farm Equipment Farmland Hitch Mechanism Plough Ploughing Plow Plowing Storm Stormy Sky Coupling


36"x14" (91x35cm) Canvas Print

Experience the captivating allure of the past with Media Storehouse's Canvas Print of "Ploughing in Stormy Weather," 1853, an oil on canvas masterpiece by John Gilbert. This iconic artwork, brought to you by Bridgeman Images from Fine Art Finder, showcases the determination and resilience of a farmer battling against the elements. With vivid colors and intricate details, this canvas print is a stunning addition to any home or office, transporting you back in time. Own a piece of history and elevate your decor with this beautiful work of art.

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 91.4cm x 35.6cm (36" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Brush Mouse

> Arts > Art Movements > Landscapes

> Arts > Artists > C > John Constable

> Arts > Artists > F > John Field

> Arts > Artists > G > John Gilbert

> Arts > Artists > John Constable > English countryside

> Arts > Artists > John Constable > Landscape paintings

> Arts > Artists > John Constable > Rural landscapes

> Arts > Artists > John Constable > Skies and weather

> Arts > Artists > John Constable

> Fine Art Finder > Agriculture & Rural Scenes

> Fine Art Finder > Artists > William James Laidlay


Ploughing in Stormy Weather, 1853

EDITORS COMMENTS
is a captivating oil on canvas painting by John Gilbert and his studio. This self-taught painter, renowned for his illustrative work, also delved into the realm of moody landscapes influenced by Constable. Despite suffering from debilitating strokes later in life, Gilbert left behind several unfinished paintings in his studio. In this particular piece, we witness the culmination of Gilbert's vision brought to life through the skillful hands of Catherine Eggar, his dedicated studio assistant and amanuensis. After inheriting £10,000 from Gilbert's will, Eggar took it upon herself to complete this artwork with utmost care and precision. The stormy weather depicted in the painting adds an air of drama and intensity to the scene. The dark clouds loom overhead as a lone plowman battles against nature's fury. The artist's brushwork captures every detail with remarkable finesse. Eggar not only finished this masterpiece but also made her mark as an artist under both her maiden name of Eggar and her married name of Banks. She went on to organize a posthumous exhibition showcasing Gilbert's work while providing a biographical note about him. This print allows us to appreciate the collaborative effort between two talented individuals who shared a passion for artistry. It serves as a testament to their dedication and commitment even amidst personal challenges faced by both artists involved.

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