Antique Framed Print : Rc Priest Bad Wolf 1851
Framed Photos from Mary Evans Picture Library
Rc Priest Bad Wolf 1851
The Catholic priest depicted as the Big Bad Wolf who will gobble up Little Red Riding Hood (Ireland) Date: 1851
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14269890
© Mary Evans Picture Library
1850s 1851 Catholicism Depicted Hood Priest Satire Satirical Wolf Gobble
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.7cm x 24.4cm (7.4" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This intriguing and thought-provoking image, titled "Rc Priest Bad Wolf 1851," presents a satirical take on religious themes during the 1850s in Ireland. The photograph, which depicts a Catholic priest dressed as the Big Bad Wolf, is poised to "gobble up" a young girl, symbolically represented as Little Red Riding Hood. The use of this well-known fairy tale character in a religious context adds an unexpected layer of meaning to the image. During the mid-19th century, Ireland was under the strong influence of the Catholic Church. However, this period was also marked by widespread poverty, famine, and social unrest. Satire was a popular means of expressing dissent and criticizing the Church's authority and its perceived role in the suffering of the Irish people. The image of the priest as the Big Bad Wolf can be interpreted in several ways. On one hand, it may represent the Church's perceived greed and exploitation of the Irish population. On the other hand, it could be a commentary on the Church's role in enforcing moral codes and controlling the spiritual wellbeing of its flock. Despite its provocative nature, the image is also a reflection of the complex relationship between religion and society during this time. It highlights the power dynamics at play and the ways in which people used art and satire to challenge authority and express their frustrations. Overall, "Rc Priest Bad Wolf 1851" is a fascinating glimpse into the historical context of 19th-century Ireland and the role of satire in shaping public discourse. Its enduring appeal lies in its ability to provoke thought and spark conversation about the intersection of religion, power, and society.
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