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Antique Framed Print : GASCO, Juan (16th century). Holy Face. c. 1513
Framed Photos from Mary Evans Picture Library
GASCO, Juan (16th century). Holy Face. c. 1513
GASCO, Juan (16th century). Holy Face. c. 1513. Gothic art. Tempera on wood. SPAIN. Vic. Vic Episcopal Museum. Proc: SPAIN. Vic. Cathedral
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Media ID 8271901
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10685833
Episcopal Juan Tempera Persons Up Right
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 17.9cm x 24.4cm (7" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite 16th century painting, titled "Holy Face" by Juan Gasco, showcases the masterful artistry of the Gothic period in Spain. Painted around the year 1513, this tempera on wood masterpiece is currently housed in the Vic Episcopal Museum in Vic, Spain. The vertical composition of the image draws the viewer's attention to the central figure, a man with a deeply contemplative expression, believed to represent Juan Gasco himself. His hands are delicately folded in his lap, and his eyes are closed in prayer, creating an air of piety and devotion. The Holy Face, depicted in the upper portion of the painting, gazes down upon the figure below with a serene expression, adding an otherworldly quality to the image. The use of vibrant colors and intricate details in the painting exemplify the Gothic style, which emphasized the emotional and spiritual aspects of art. The painting's provenance is closely tied to the Vic Cathedral, suggesting a connection to the religious community of the time. The people of the region would have revered this painting as a sacred work, a testament to the power of faith and the artistic talent of Juan Gasco. The intricacies of the painting, from the delicate folds of the man's robes to the intricate details of the Holy Face, are a testament to the skill and dedication of the artist. This painting is not only a beautiful work of art but also a window into the spiritual beliefs and artistic sensibilities of the 16th century in Spain.
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