Antique Framed Print > Arts > Artists > E > Hubert Van Eyck
Antique Framed Print : EYCK, Jan van (1390-1441); EYCK, Hubert van (1370-1426)
Framed Photos from Mary Evans Picture Library
EYCK, Jan van (1390-1441); EYCK, Hubert van (1370-1426)
EYCK, Jan van (1390-1441); EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. The Virgin Mary, from the upper half of central pannel of the Ghent Altarpiece. Flemish art. Oil on wood
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Media ID 8275437
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Adoration Altar Piece Bavo Eyck Flemish Ghent Half Hubert Lamb Mystic Pannel Virgin Up Right Upper
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.6cm x 24.4cm (7.3" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Ghent Altarpiece, also known as the Adoration of the Mystic Lamb, is a seminal work of Flemish art created between 1425 and 1432 by the Van Eyck brothers, Jan van Eyck (1390-1441) and Hubert van Eyck (1370-1426). This masterpiece, housed in Saint Bavo Cathedral in Ghent, Belgium, is renowned for its innovative use of oil on wood technique and its intricate detail. The upper half of the central panel of this triptych depicts the Virgin Mary, the mother of Jesus Christ. Mary is shown in three-quarter view, gazing down at the Adoration scene below. Her serene expression and delicate features are rendered with exquisite detail, showcasing the Van Eycks' mastery of oil painting. Her dress, adorned with intricate patterns and rich fabrics, is rendered with such realism that it appears almost tactile. The use of chiaroscuro, or the play of light and shadow, adds depth and dimension to the figure. The Ghent Altarpiece is considered a pinnacle of Northern European art, and its influence can be seen in the development of the Renaissance. The intricate detail and lifelike representation of the figures, as well as the use of oil on wood, set a new standard for artistic technique and innovation. This print captures the essence of the Virgin Mary's figure from the central panel, offering a glimpse into the beauty and intricacy of this masterpiece.
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