Antique Framed Print : Saint Charles Borromee cardinal et archeveque de Milan
Framed Photos from Liszt Collection
Saint Charles Borromee cardinal et archeveque de Milan
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14075896
© Copyrighted
1602 1674 1605–1650 After Philippe Champaigne Brussels Jean Morin Paris Ca Third State
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.4cm x 24.4cm (7.6" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable etching of Saint Charles Borromee, an esteemed cardinal and archbishop of Milan. The artwork, created by Jean Morin in Paris around 1605-1650, captures the essence of this revered figure with great precision. In this third state etching, measuring approximately 12 1/8 x 9 5/8 inches (308 x 244 cm), Morin skillfully depicts Saint Charles Borromee's dignified presence and spiritual aura. The intricate details in the image bring to life his cardinal robes and elaborate headdress, emphasizing his high rank within the Catholic Church. The original painting that inspired this etching was crafted by Philippe Champaigne in Brussels between 1602 and 1674. Morin's interpretation beautifully translates Champaigne's work into a medium that allows for wider distribution and appreciation. As we gaze upon this print, we are transported back to a time when faith played a central role in society. Saint Charles Borromee stands as an embodiment of devotion and piety during a period marked by religious fervor. Whether displayed as part of an art collection or used for personal reflection, this print serves as a testament to the enduring legacy of Saint Charles Borromee. It reminds us of the power of art to capture not only physical likeness but also deeper spiritual qualities that resonate across centuries.
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