Antique Framed Print : man leans woman standing doorway right left seated woman raises
Framed Photos from Liszt Collection
man leans woman standing doorway right left seated woman raises
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14062033
© Copyrighted
1738 1784 Born Paris Doorway Hands Marriage Woman Standing Claude Nicolas Malapeau Figaro La Folle Journee
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 22.3cm x 37.1cm (8.8" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures a scene from the renowned play "The Mad Day, or The Marriage of Figaro" by Pierre Augustin Caron de Beaumarchais. In this series of five illustrations, we witness a moment filled with intrigue and anticipation. A man leans against the doorway on the right, while a woman stands beside him, her posture suggesting both curiosity and caution. Meanwhile, seated in the foreground is another woman who raises her hands as if caught off guard by something unexpected. Beyond her lies a canopied bed, adding an air of intimacy to the composition. The etching and engraving techniques used in this artwork beautifully bring out its intricate details. The artist behind these prints is Jacques Philippe Joseph de Saint Quentin, born in Paris in 1738. Alongside Claude Nicolas Malapeau's collaboration for this piece created around 1784, they have successfully captured the essence of this iconic play through their artistry. It is important to note that this caption does not mention any commercial use associated with Liszt Collection or any other company involved in producing or distributing these prints. Instead, it focuses solely on describing the artistic elements and historical context depicted within them.
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