La Folle Journee Collection

I am going to kill him... scene from act II of The Marriage of Figaro
CHT238773 I am going to kill him... scene from act II of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99) 1785 (pen & ink on paper) by Saint-Quentin

He will return you pure and chaste to your husband
CHT238770 He will return you pure and chaste to your husband, scene from Act IV of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99) 1785 (pen & ink on paper)

man seated chair stepped platform holds audience
Artokoloro

man curled up chair looks another man approaches
Artokoloro

Dancing couples surround four standing women
Artokoloro

man leans woman standing doorway right left seated woman raises
Artokoloro

young boy holds torch under trees garden center
Artokoloro

Figaro, illustration from Act V Scene 3 of The Marriage of Figaro by Pierre
XIR239541 Figaro, illustration from Act V Scene 3 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Eugene Gervais (19th century) (engraving) (b/w photo)

Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro
XIR239534 Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) (engraving) (b/w photo) by Bayard

Suzanne, illustration from Act II Scene 17 of The Marriage of Figaro by
XIR239533 Suzanne, illustration from Act II Scene 17 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Edouard Follet (19th century) (engraving) (b/w photo)

Scene from of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais
XIR238771 Scene from of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99) 1785 (pen & ink on paper) by Saint-Quentin

He will return you pure and chaste to your husband, scene from Act IV of
XIR159007 He will return you pure and chaste to your husband, scene from Act IV of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99)

Scene from Act I of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais
XIR159006 Scene from Act I of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99) engraved by Claude Nicolas Malapeau (1755-1803) 1785 (engraving) (b/w photo) by Saint-Quentin

I am going to kill him... scene from act II of The Marriage of Figaro
XIR159005 I am going to kill him... scene from act II of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99) engraved by Claude Nicolas Malapeau (1755-1803) 1785 (engraving)

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"La Folle Journée: A Captivating Tale of Love, Betrayal, and Intrigue" In the midst of Act II's dramatic scene from "The Marriage of Figaro, " tensions rise as emotions reach their boiling point. The air is thick with anticipation and a sense of impending doom hangs over the stage. "I am going to kill him. . " whispers one character, consumed by rage and fueled by betrayal. The audience holds its breath, captivated by the intensity unfolding before them. On a stepped platform, a man sits in a chair, his presence commanding attention from all who surround him. His posture exudes authority as he prepares to make his next move in this intricate game of love and deception. Curled up in another chair nearby, a man anxiously awaits an approaching figure. Their encounter promises to be filled with secrets yet unveiled and consequences yet unknown. As dancing couples gracefully twirl around them, four standing women observe intently. Their eyes dart back and forth between the unfolding drama on stage - each movement revealing more about the tangled web they find themselves entangled within. A woman stands at a doorway on the right while another sits on the left; her raised hand signaling both defiance and determination, and is clear that she will not be silenced or controlled any longer. Amidst it all, a young boy holds a torch under trees in the center of a garden - symbolizing both innocence lost and hope for redemption amidst chaos. Illustrations from Act V Scene 3 showcase Figaro himself - his face etched with determination as he navigates through treacherous waters towards resolution or perhaps revenge? Brid oison takes center stage in Act III Scene 14's illustration - her presence radiating strength despite being caught up in this whirlwind affair where loyalties are tested at every turn. Suzanne appears resolute in Act II Scene 17's depiction.