Antique Framed Print : man curled up chair looks another man approaches
Framed Photos from Liszt Collection
man curled up chair looks another man approaches
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14066574
© Copyrighted
1738 1784 Another Man Approaches Born Paris Marriage Stand Claude Nicolas Malapeau Figaro Hands Raised La Folle Journee
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 23.1cm x 37.1cm (9.1" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print from the Liszt Collection, we are transported to an interior setting where a man is curled up in a chair, seemingly lost in his thoughts. As he looks on, another man approaches from the left, adding an air of intrigue and anticipation to the scene. The composition is part of a series of five illustrations by Jacques Philippe Joseph de Saint Quentin, depicting scenes from "Mad Day" also known as "Marriage of Figaro". This iconic play by Pierre Augustin Caron de Beaumarchais was first performed in 1784 and remains a timeless classic. The etching and engraving technique used for this print beautifully captures the details and emotions portrayed by Saint Quentin. The sheet measures approximately 6 5/16 x 3 9/16 inches (16.9 cm), making it a compact yet impactful piece. As we delve into this artwork, we can't help but wonder about the narrative unfolding before our eyes. What thoughts occupy the mind of the man in the chair? And what could be motivating or intriguing about the approaching figure? This print serves as a testament to both Saint Quentin's artistic prowess and Claude Nicolas Malapeau's skillful execution as an engraver. It invites us to explore deeper into their world while leaving room for our own interpretations and imagination.
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