Antique Framed Print : Crucifixion ca 1400 Oil egg gold plywood transferred
Framed Photos from Liszt Collection
Crucifixion ca 1400 Oil egg gold plywood transferred
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14014795
© Copyrighted
1400 Achieved Crucifixion Cycle Jan Van Panel Painting Panels Plywood Transferred Westphalia Works Bielefeld Decades Eyck Robert Campin Rogier Underwent Westphalian Weyden
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 17.2cm x 24.4cm (6.8" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the artwork titled "Crucifixion ca 1400" by an unknown German artist known as the Master of the Berswordt Altar. Created around the year 1400, this masterpiece is a remarkable example of panel painting during that era. The artwork, measuring approximately 23 1/2 x 17 inches (597 x 432 cm), was created using oil and egg tempera on plywood transferred wood. The use of gold accents adds a touch of opulence to this religious scene depicting Christ's crucifixion. Part of a larger altarpiece located in Neustädter Marienkirche in Bielefeld, Westphalia, this particular panel forms part of an extensive narrative cycle consisting of thirty scenes. The entire altarpiece would have been a focal point for worshipers attending church services. During its creation, panel painting underwent a qualitative revolution thanks to influential artists such as Jan van Eyck, Robert Campin, and Rogier van der Weyden. Their works achieved a new sense of realism that can be seen in this piece by the Master of the Berswordt Altar. This print allows us to appreciate and admire the intricate details and skillful technique employed by this German artist from over six centuries ago. It serves as both an artistic treasure and historical artifact that continues to inspire awe and fascination today.
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