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Antique Framed Print : Stand Coachman, or The Haughty Lady Well Fitted, 1750
Framed Photos from Heritage Images
Stand Coachman, or The Haughty Lady Well Fitted, 1750
Stand Coachman, or The Haughty Lady Well Fitted, 1750. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14917438
© The Print Collector / Heritage-Images
Broom Coach Coachman Emily Morse Emily Morse Symonds George Paston Haughty Paston Sweeper Sweeping Symonds
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 37.1cm x 24.7cm (14.6" x 9.7")
Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Stand Coachman, or The Haughty Lady Well Fitted - A Glimpse into 18th Century British Society
EDITORS COMMENTS
. This print titled "Stand Coachman, or The Haughty Lady Well Fitted" takes us back to the bustling streets of 1750s Britain. Illustrated by George Paston (pseudonym of Emily Morse Symonds) in her remarkable book on Social Caricature in the Eighteenth Century, this image offers a fascinating insight into the social dynamics of the era. In this scene, we find ourselves amidst a lively crowd gathered around a street coachman and a haughty lady. The woman exudes an air of superiority as she stands elegantly beside her coach, impeccably dressed in fashionable attire that reflects her high status. Meanwhile, men and women from various walks of life go about their daily occupations nearby – sweeping the road with brooms or engaging in conversations along the lane. The print not only captures the diversity of people present but also highlights different professions within society during that time. It serves as a reminder that even though gender roles were strictly defined at that period, women like this haughty lady could challenge societal norms by occupying positions traditionally held by men. As we gaze upon this monochrome masterpiece, we are transported to an era where transportation was still dominated by horse-drawn coaches and where class distinctions were deeply ingrained. This intriguing snapshot invites us to reflect on how society has evolved over time while reminding us of our shared history
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