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Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
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Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0031
Media ID 33187739
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. The artwork, which is part of a private collection in Florence, depicts the territories of Lodi, Cremona, and Pavia on the side of the Po River. The engraving beautifully captures the essence of Renaissance-Baroque styles and periods prevalent during Europe's first and second millenniums. It serves as a testament to the remarkable craftsmanship and attention to detail that characterized this era. With its intricate lines and meticulous shading, this piece exemplifies the artistry involved in cartography and graphics during the eighteenth century. It not only serves as a geographical or topographical map but also conveys deeper meanings through allegory and abstract concepts. As an instrument for communication, this artwork transcends time by bridging two centuries - it was created in 1784 but photographed in 2009. Its ability to endure speaks volumes about its significance as a historical document. The scene depicted transports viewers back to a different era when maps were meticulously hand-drawn works of art rather than digital renderings we are accustomed to today. This print invites us to appreciate both the beauty inherent in such creations as well as their practical purpose for navigation and understanding our world. In conclusion, Alinari's photograph allows us to marvel at Zuliani's masterful engraving while reflecting on how far we have come since its creation over two centuries ago. It stands as a testament to human ingenuity within both artistic expression and scientific exploration throughout history.
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