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The Kingdoms of England and Ireland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Kingdoms of England and Ireland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
The Kingdoms of England and Ireland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0042
Media ID 33187563
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed Great Britain And Ireland
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EDITORS COMMENTS
This print showcases "The Kingdoms of England and Ireland" an exquisite engraving by G. Zuliani from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta. Housed in a private collection, this artwork represents the Renaissance-Baroque styles and periods that flourished during Europe's first and second millennium. Dating back to 1776, Zuliani's masterful craftsmanship comes to life through intricate details and precise lines, capturing the essence of these historical territories. The map serves as both a geographical representation and an allegory for the rich history of Great Britain and Ireland. With its abstract concept and symbolic nature, this topographical map transcends mere cartography. It stands as a testament to the power of drawing, graphics, and communication as essential tools for understanding our world. As we gaze upon this piece, we are transported back to the eighteenth century when such maps were vital instruments for exploration and documentation. The sea surrounding these islands adds depth to the scene while emphasizing their isolation yet interconnectedness with other nations across Europe. This artwork not only reflects modern history but also provides insights into past civilizations, peoples, territories, and their evolving relationships. Through its fusion of Renaissance-Baroque styles with elements from earlier centuries, this engraving captures a unique moment in European art history. Its presence evokes curiosity about how knowledge was disseminated during that time period—how maps like these served as means of communication between nations. In conclusion, Alinari's photograph preserves this remarkable artwork from 2009 while paying homage to its origins in 1776—an enduring symbol bridging multiple centuries—a true treasure within Florence's private collection.
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