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Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1778 by Antonio Zatta, Private Collection


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Alinari

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Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0062

Media ID 33187621

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut". Created by the talented artist G. Zuliani in 1778, this masterpiece was published in Venice as part of Antonio Zatta's renowned "Newest Atlas". The artwork itself is a testament to the Renaissance-Baroque styles that dominated Europe during the eighteenth century. Its intricate details and precise craftsmanship transport us back in time to an era when cartography was both a science and an art form. As we delve into this enchanting piece, we are immediately struck by its allegorical nature. The map not only serves as a geographical or topographical representation but also conveys abstract concepts and symbols that were significant during that period. The depiction of Acadia alongside other provinces such as Sagadahoc, Maine, New Hampshire, Rhode Island, Massachusetts, and Connecticut offers a comprehensive view of the region's territorial boundaries at that time. It becomes evident how crucial maps were as instruments for communication and documentation centuries ago. The sea surrounding these landmasses adds another layer of depth to the composition. It reminds us of the importance of maritime exploration during this epoch when nations sought new territories across vast oceans. This particular photograph was taken in 2009 from a private collection in Florence. Its juxtaposition with modern technology highlights our ongoing fascination with historical artifacts like this engraving by G. Zuliani. In conclusion, this extraordinary print captures not only a remarkable work of art but also represents an important chapter in cartographic history. Through its blend of artistic expression and scientific accuracy, it continues to captivate viewers today just as it did over two centuries ago.

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