Acrylic Blox : Plate 40 Le cabinet de la Bibliotheque Sainte

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Mounted Prints from Liszt Collection

Plate 40 Le cabinet de la Bibliotheque Sainte

Plate 40, Le cabinet de la Bibliotheque de Sainte Genevieve: divise en deux parties: contenant les antiquitez de la religion des chretiens, des Egyptiens, and des Romains; des tombeaux, des poids and des medailles; de monnoyes, des pierres antiques gravees, and des mineraux, Dezallier, Antoine, Du Molinet, Claude, 1620-1687, Ertinger, Franz, 1640-ca. 1710, Engraving, 1692, Engraving. Plate 40, depicting eleven rare birds, numbered I-XI. A description of each, identified by the corresponding number, follows on pages 185-190. The engravers name, and date of 1688

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18507618

© Liszt Collection

1688 1692 1710 Antiques Antiquitez Antoine Bibliotheque Birds Claude Date Description Deux Engraver Franz Genevieve Gravées Identified Parties Plate 40 Rare Religion Chretiens Sainte

6"x4" (15x10cm) Acrylic Blox

Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.

Streamlined, one sided modern and attractive table top print

Estimated Product Size is 10.2cm x 15.2cm (4" x 6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This print showcases Plate 40 of "Le cabinet de la Bibliotheque Sainte Genevieve" an exquisite collection divided into two parts, containing a wealth of knowledge on the religious antiquities of Christians, Egyptians, and Romans. Published in 1692 as an engraving by Antoine Dezallier and Claude Du Molinet, with Franz Ertinger also contributing to this masterpiece around 1688. Plate 40 specifically captures the enchanting beauty of eleven rare birds, each meticulously numbered from I to XI. The intricate details and lifelike depictions make these avian creatures come alive on paper. Their vibrant plumage and graceful postures are a testament to the skillful artistry employed by the engravers. For those seeking further insight into these remarkable birds, pages 185-190 provide a comprehensive description for each bird corresponding to its assigned number. This additional information allows viewers to delve deeper into their characteristics and significance within ornithology. The Liszt Collection has preserved this historical gem that not only serves as a visual delight but also offers valuable insights into ancient religions, tombs, weights and medals used during different eras. It is truly a treasure trove for enthusiasts interested in numismatics or ancient engravings.

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