Acrylic Blox : Jael Slaying Sisera 1625-1713 Red chalk highlighted
Mounted Prints from Liszt Collection
Jael Slaying Sisera 1625-1713 Red chalk highlighted
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14068089
© Copyrighted
1625–1713 Basilica Blue Paper Camerano Carlo Maratti Consists Heroines Highlighted Immaculate Conception John Mosaics Prophets Red Chalk Saint Peter Vision White
8"x6" (20x15cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 20.3cm x 15.2cm (8" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print showcases the exquisite artwork titled "Jael Slaying Sisera" by Carlo Maratti, an Italian artist from the late 17th century. The piece is rendered in red chalk and highlighted with white on blue paper, measuring approximately 8 3/4 x 10 11/16 inches (223 x 272 cm). The drawing is part of a larger series that Maratti designed for the mosaics in the left nave of Saint Peter's Basilica in Rome during the later 1670s. This particular scene depicts Jael, a biblical heroine, slaying Sisera, an enemy general. The intense emotion and dramatic tension between the two figures are skillfully captured through Maratti's masterful use of light and shadow. Surrounding this central composition are six half lunettes and four pendentives featuring various biblical patriarchs, prophets, and heroines. Atop them all rests John's vision of the Immaculate Conception surmounting the cupola. Artokoloro has beautifully reproduced this artwork as a high-quality print that allows art enthusiasts to appreciate every intricate detail up close. Whether displayed in a gallery or cherished within one's personal collection, this stunning piece offers a glimpse into Maratti's artistic brilliance and his contribution to religious art during his time.
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