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Acrylic Blox : Iraq man western dress 1932
Mounted Prints From Liszt Collection
Iraq man western dress 1932
Iraq, man in western dress. 1932, Iraq
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18545944
© Liszt Collection
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 10.2cm (6" x 4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection takes us back to 1932 in Iraq, showcasing a man confidently donning Western attire. The image offers a fascinating glimpse into the cultural exchange and evolving fashion trends of that era. In this black-and-white photograph, we see an Iraqi gentleman standing tall against a backdrop that hints at his surroundings. His choice of clothing reflects the influence of Western culture on traditional Iraqi attire during this period. Dressed in a well-tailored suit with a crisp white shirt and tie, he exudes elegance and sophistication. The man's confident posture suggests pride in his appearance and perhaps even symbolizes societal changes occurring within Iraq at the time. As he gazes directly into the camera lens, one can't help but wonder about his story: Was he an influential figure? A trendsetter among his peers? Or simply someone embracing new styles as they made their way across borders? This print serves as both a historical document and an artistic representation of cross-cultural encounters. It reminds us that fashion has always been more than just fabric; it is also intertwined with identity, self-expression, and societal shifts. Through this image captured by Liszt Collection, we are transported to 1932 Iraq - witnessing not only sartorial choices but also glimpsing into a moment where tradition met modernity in fascinating ways.
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