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Acrylic Blox : St Pauls churchyard and a tollgate, London, 1926-1927. Artist: Whiffin
Mounted Prints from Heritage Images
St Pauls churchyard and a tollgate, London, 1926-1927. Artist: Whiffin
St Pauls churchyard and a tollgate, London, 1926-1927. From Wonderful London, volume I, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)
Heritage Images features heritage image collections
Media ID 14939062
© The Print Collector / Heritage-Images
Adcock Arthur St John Arthur St John Adcock Barrier Churchyard John Adcock Railings St Pauls Cathedral Toll Gate Whiffin Print Collector7
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 10.2cm (6" x 4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print transports us back to the bustling streets of London in the 1920s. The image showcases St Paul's churchyard, a serene oasis nestled amidst the vibrant cityscape. Towering above it all is the magnificent St Paul's Cathedral, its grandeur and architectural beauty commanding attention. Intriguingly, a tollgate stands prominently in the foreground, serving as a reminder of an era when such barriers regulated access to roads. It symbolizes both progress and tradition intersecting within this dynamic metropolis. The scene is alive with activity - people can be seen strolling along the road, going about their daily lives. The railings lining the street add structure to this urban landscape while also providing glimpses of nature beyond. Whiffin's masterful composition captures not only physical elements but also evokes a sense of spirituality that permeates through St Paul's Churchyard. This religious connection is further emphasized by Arthur St John Adcock's editorial contribution from "Wonderful London" which adds depth to our understanding of this historical moment. As we gaze upon this monochrome masterpiece, we are transported back in time; we feel connected to those who walked these very streets almost a century ago. It serves as a poignant reminder that even amidst change and progress, there are enduring landmarks like St Paul's Cathedral that anchor us to our past and shape our collective identity as Londoners.
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