Acrylic Blox > Animals > Birds > Columbiformes > Doves > Black Dove
Acrylic Blox : English Travelling, or the First Stage from Dover, 1785. Artist: Thomas Rowlandson
Mounted Prints from Heritage Images
English Travelling, or the First Stage from Dover, 1785. Artist: Thomas Rowlandson
English Travelling, or the First Stage from Dover, 1785. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14917478
© The Print Collector / Heritage-Images
Angry Coach Dover Emily Morse Emily Morse Symonds Frustrated Frustration George Paston Kent Passenger Passengers Paston Rearing Rowlandson Shouting Stagecoach Symonds Thomas Rowlandson Traveller Travelling Whip Whipping Horse Drawn Vehicle
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 10.2cm (6" x 4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a scene from the 18th century titled "English Travelling, or the First Stage from Dover". Created by artist Thomas Rowlandson, this illustration showcases the frustrations and chaos of road transport during that era. The image depicts a horse-drawn stagecoach rearing up as an angry female passenger shouts and whips at the horses. The concept of travel is portrayed in a satirical manner, highlighting the challenges faced by both men and women on their journeys. The monochrome composition adds to the dramatic effect, emphasizing the intensity of emotions in this chaotic moment. Located in Dover, Kent, England, this artwork provides a glimpse into historical transportation practices within Britain. It reflects not only the difficulties faced by travelers but also serves as social commentary on society's frustrations with inefficient modes of transportation. The collaboration between Thomas Rowlandson and George Paston (pseudonym for Emily Morse Symonds) brings this satire to life with over two hundred illustrations featured in "Social Caricature in the Eighteenth Century". This print offers viewers a window into 18th-century British culture while reminding us of how far we have come in terms of modern transportation systems.
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