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Acrylic Blox : Satirical print in form of a Wanted Poster for Prince Charles Edward Stuart
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Satirical print in form of a Wanted Poster for Prince Charles Edward Stuart
XCF407371 Satirical print in form of a Wanted Poster for Prince Charles Edward Stuart, 1745 (coloured engraving) by Cooper, Richard, the Elder (c.1696-1764); Private Collection; (add.info.: Prince Charles Edward Stuart (1720-88) known as Bonnie Prince Charlie or the Young Pretender landed in Scotland in 1745 and invaded England to claim the throne; this print portrays him in an elaborate tartan costume, dropping a manifesto and offering a reward for his capture; the likeness is imaginary and so was made before the capture of Edinburgh in September; ); British, out of copyright
Media ID 12876004
© www.bridgemanart.com
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Image Size (if not cropped) is 10.1cm x 14.4cm (4" x 5.7")
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print, titled "Satirical print in form of a Wanted Poster for Prince Charles Edward Stuart" takes us back to the tumultuous year of 1745. The artist, Richard Cooper, masterfully portrays the infamous Bonnie Prince Charlie in an elaborate tartan costume, his image both striking and mythical. The satirical nature of this artwork becomes evident as we delve into its details. Dropping a manifesto and offering a reward for his capture, the prince is depicted as a wanted man. This cleverly crafted piece serves as both advertisement and propaganda against him. Prince Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie, made headlines when he landed in Scotland that fateful year with ambitions to claim the throne. His audacious invasion of England sent shockwaves through the nation. Cooper's imaginative portrayal was created before Edinburgh fell under government control in September. Thus, this likeness remains purely fictional but carries immense historical significance nonetheless. As we gaze upon this colored engraving from our private collection today, it offers us a glimpse into an era filled with political intrigue and rebellion. It reminds us of how art can be used to shape public opinion and immortalize pivotal moments in history.
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