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John Everett Millais (1829-1896) British Pre-Raphaelite painter, c1880. A founder-member
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John Everett Millais (1829-1896) British Pre-Raphaelite painter, c1880. A founder-member
John Everett Millais (1829-1896) British Pre-Raphaelite painter, c1880. A founder-member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes. Elected President of the Royal Academy in 1896. From The Modern Portrait Gallery. (London c1880). Tinted lithograph
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Media ID 9783043
© Universal History Archive/Universal Images Group
1829 1896 1848 1870 1896 Academy Artist Brotherhood C1880 Elected Everett Gallery John Landscapes Lithograph Millais Modern Painted Painter Portraits Pre Raphaelite President Royal Tinted
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This print showcases the renowned British Pre-Raphaelite painter, John Everett Millais. Born in 1829 and passing away in 1896, Millais was a prominent figure in the art world during his time. In 1848, he co-founded the influential Pre-Raphaelite Brotherhood, which sought to revive the detailed and vibrant style of early Renaissance painters. While Millais initially focused on historical and literary subjects, his artistic direction shifted after 1870 towards portraiture and landscapes. This change allowed him to explore new dimensions of his talent and capture the essence of individuals as well as their surroundings with great finesse. The significance of Millais' contributions to the art community is further exemplified by his election as President of the Royal Academy in 1896 - an esteemed position that recognized both his skill and influence within English painting. This particular image is a tinted lithograph from The Modern Portrait Gallery published around c1880 in London. It beautifully captures Millais' likeness while highlighting key elements that defined him as an artist: dedication to detail, mastery of coloration, and a profound understanding of human expression. As we admire this portrait print today, we are reminded not only of John Everett Millais' immense talent but also his lasting impact on British art history as one of its most celebrated figures.
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