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Tattooed or scarified guards at the door to
Tattooed or scarified guards at the door to the Queens Palace, Tandi, Angola. There are 500 guards, with three at the main door: two seated with clubs, and one standing with spear, bow and arrows. Handcoloured copperplate engraving after Jean-Baptiste Douville from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Florence, 1834
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Media ID 23174410
© Florilegius/Mary Evans
Angola Arrows Bodyguard Ferrario Giulio Guards Idol Peoples Queens Scarification Spear Tattoo
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EDITORS COMMENTS
This handcoloured copperplate engraving depicts the tattooed and scarified guards of the Queens Palace in Tandi, Angola, circa 1834. The image, taken from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, showcases a formidable group of 500 protectors, with three standing sentinel at the palace entrance. The central figure, dressed in a loincloth and adorned with intricate body art, holds a spear, bow, and quiver of arrows at the ready. Two companions, seated beside him, wield clubs and gaze intently at the viewer. The Lunda people, the original inhabitants of the region, were renowned for their distinctive physical markings, which were believed to represent their tribal affiliation, status, and spiritual connection to their gods. The guards' tattoos and scarifications served as a visual testament to their loyalty and commitment to protect the royal family and the palace. The presence of an idol or statue of a god in the background further emphasizes the spiritual significance of the guards' role. Their duty was not only to safeguard the physical structure of the palace but also to uphold the spiritual wellbeing of the queen and the kingdom. This intriguing illustration offers a glimpse into the rich cultural heritage of the Lunda people and the important role of their bodyguards in the royal court of Tandi, Angola. The meticulous handcoloured copperplate engraving technique adds depth and vibrancy to the image, making it a captivating and valuable historical record.
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