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Tote Bag : Classical wooded landscape, by Glauber

Classical wooded landscape, by Glauber



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Classical wooded landscape, by Glauber

Classical wooded landscape with Diana returned from the hunt at rest with her nymphs, by Johannes Glauber (called Polidoro, 1646-c.1726), with figures by Gerard de Lairesse (c.1641-1711)

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 11469290

© Mary Evans Picture Library

Companions Diana Figures Gerard Goddess Hunt Huntress Johannes Mythical Mythology Nymphs Rest Resting Returned Wooded Lairesse Polidoro


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This exquisite oil painting, titled "Classical wooded landscape with Diana returned from the hunt at rest with her nymphs," is a masterpiece by the Dutch artist Johannes Glauber, also known as Polidoro (1646-c.1726). The painting is further adorned with figures by Gerard de Lairesse (c.1641-1711). The scene depicts the goddess Diana, the huntress, taking a moment of respite among the lush, verdant woodlands after a successful hunt. Surrounded by her devoted nymphs, she reclines on a velvet cloak spread over the mossy forest floor. The tranquility of the moment is contrasted by the vitality of the surrounding forest, teeming with life and movement. Diana, the goddess of the hunt, is a central figure in Greek and Roman mythology. She is often depicted as a huntress, clad in a flowing gown and armed with a bow and arrows. Her companions, the nymphs, are depicted in various stages of repose, some reclining on the forest floor, while others attend to their mistress. The painting is a testament to the beauty and power of nature, as well as the grace and elegance of the mythological figures that inhabit it. The painting is a prime example of the classical wooded landscape genre, which was popular in Dutch art during the 17th century. The intricate details of the trees, the interplay of light and shadow, and the delicate rendering of the figures all contribute to the painting's timeless beauty and enduring appeal. This painting is not only a historical document of Dutch art but also a reminder of the enduring allure of mythology and the natural world.

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