Tote Bag : Italy. Rome. Church of Saint Roch (San Rocco)
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Italy. Rome. Church of Saint Roch (San Rocco)
Italy. Rome. Church of Saint Roch (San Rocco). Baroque style. Founded in 1499 by Pope Alexander VI, it was rebuilt in 1657 by Giovan Antonio de Rossi (1616-1695). Later changes were made introducing the Neo-Classical style. Giuseppe Valadier (1762-1839) built a new Palladio-influenced facade in 1832
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14333671
© Thaliastock / Mary Evans
Alexander Antonio Baroque Dome Facade Giuseppe Neoclasical Neoclassicism Pediment Roch Rossi Rocco Valadier
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
1. Title: A Baroque and Neoclassical Masterpiece: The Church of Saint Roch (San Rocco) in Rome 2. Description: This photograph showcases the stunning exterior of the Church of Saint Roch (San Rocco) in Rome, Italy. Founded in 1499 by Pope Alexander VI, this religious edifice underwent significant transformations throughout the centuries, reflecting the evolving architectural styles of the time. 3. Background: The Church of Saint Roch, located in the heart of Rome, is a testament to the rich history and architectural diversity of the Eternal City. Initially built in the late 15th century, the church was redesigned in the Baroque style in 1657 by Giovan Antonio de Rossi. Subsequent changes in the 18th and 19th centuries introduced Neoclassical elements, with Giuseppe Valadier adding a new Palladian-inspired facade in 1832. 4. Architectural Details: The photograph highlights the church's intricate exterior, featuring a grand columned portico, a majestic dome, and a striking pediment adorned with statues and reliefs. The Baroque influence is evident in the dynamic use of curves and ornate details, while the Neoclassical additions introduce clean lines and a more symmetrical design. 5. Historical Significance: The Church of Saint Roch holds great historical significance, having served as a pilgrimage site and a refuge for plague victims during the 16th and 17th centuries. The church's name derives from Saint Roch, the patron saint of those afflicted by the bubonic plague. Today, it remains an essential part of Rome's architectural and religious heritage, drawing visitors from around the world. 6. Conclusion: This photograph offers a glimpse into the architectural evolution of the Church of Saint Roch in Rome, showcasing the harmonious blend of Baroque and Neoclassical styles. The intricate details, historical significance, and timeless beauty of this magnificent structure continue to captivate and inspire all who visit.
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