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Tote Bag : Vom Tode I Opus II 1889 No 2 Max Klinger German
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Vom Tode I Opus II 1889 No 2 Max Klinger German
Vom Tode I, (Opus II, 1889) No. 2. Max Klinger (German, 1857-1920). Etching and aquatint
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18471602
© Liszt Collection
1857 1920 1889 Aquatint Max Klinger Opus Ii Vom Tode I
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print showcases the remarkable artwork titled "Vom Tode I, Opus II, 1889 No. 2" by Max Klinger, a renowned German artist from the late 19th and early 20th centuries. The piece is an etching and aquatint that beautifully captures Klinger's unique style and artistic vision. In this hauntingly evocative composition, Klinger explores the theme of death with great depth and intensity. The intricate details and masterful use of light and shadow create a sense of mystery and intrigue, drawing viewers into a world where life meets mortality. Klinger's profound understanding of human emotions is evident in every stroke of his etching. Through delicate lines and subtle tonal variations, he conveys a sense of melancholy while also hinting at the beauty that can be found within darkness. The juxtaposition between life and death is further emphasized through symbolic elements carefully incorporated into the composition. Each element tells its own story - from delicate flowers symbolizing fragility to skeletal figures representing mortality itself. As we gaze upon this mesmerizing print from Liszt Collection, we are reminded not only of Max Klinger's immense talent but also his ability to provoke thought and contemplation through art. This piece serves as a testament to his lasting impact on the art world as well as an invitation for us to reflect on our own existence in relation to mortality.
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