Tote Bag : Three-Quarters-Length Portrait Study Man Seated
Home Decor from Liszt Collection
Three-Quarters-Length Portrait Study Man Seated
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14024898
© Copyrighted
1740–60 Active Britain Aken Allan Ramsay Antwerp Blue Laid Paper Desk Face Figure Finish Flemish Joseph Highmore Leading Portraitists Man Seated Painted Rest Sitter Specialized Squared Stumping Thomas Hudson Training White Chalks Relying
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print from the Liszt Collection showcases a three-quarters-length portrait study of a man seated at his desk, surrounded by an air of elegance and sophistication. Created between 1740-1760, this artwork is rendered in black and white chalks, stumping, brown ink, graphite, and blue laid paper. The squared sheet measures approximately 12 5/16 x 10 1/16 inches (312 x 256 cm), offering a detailed glimpse into the artist's skillful execution. Believed to be part of the circle of Joseph van Aken, a renowned Flemish painter from Antwerp who was active in Britain during the late 17th and early 18th centuries. Van Aken specialized in painting draperies and was highly regarded among leading portraitists such as Joseph Highmore, Thomas Hudson, and Allan Ramsay. In this particular piece, we see the sitter's face expertly painted with great attention to detail while relying on Van Aken's signature style to finish off the rest of the figure. What adds an endearing touch to this composition is the presence of a loyal dog faithfully sitting beside its master at his desk. With its impeccable craftsmanship and historical significance within British art history training under Young Van Aken himself makes this portrait study truly remarkable. This print offers viewers an opportunity to appreciate both technical mastery and artistic expression captured within one frame without mentioning any commercial use associated with it.
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