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Tote Bag : Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching

Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching



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Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching

Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching Storm, Madras Signed and dated, lower left: " W. D. 1833.", William Daniell, 1769-1837, British

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12648577

© Quint Lox Limited

1769 1833 1837 Approaching Bengal Boats Daniell Dated Flag Fort Jack Landform Lower Madras Marine Meteorology Oil On Canvas Orientalism Passing People Science Shore Signed Squall Steeple Storm Tree Union William William Daniell Wind


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

These are individually made so all sizes are approximate


EDITORS COMMENTS
The captivating print titled "Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching Storm" takes us on a journey to the shores of Madras, beautifully captured by British artist William Daniell in 1833. This mesmerizing oil on canvas artwork showcases a dramatic scene as a squall passes over the bay, with dark clouds looming overhead and waves crashing against the shore. Daniell's attention to detail is evident in every brushstroke, from the billowing sails of boats caught in the wind to the fluttering Union Jack flag atop one of them. The painting not only captures an awe-inspiring marine landscape but also serves as a testament to meteorology and science during that era. As we delve into this Orientalist masterpiece, we are drawn towards people seeking shelter under trees and near a steeple amidst this approaching storm. Their presence adds depth and humanity to an otherwise wild and untamed natural setting. With its rich colors and skillful composition, this print transports us back in time while reminding us of nature's power and our place within it. It serves as both a visual feast for art enthusiasts and an intriguing historical document capturing Madras' beauty during William Daniell's lifetime.

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