Tote Bag : Madonna Child middle panel Sts Andreas Francis

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Madonna Child middle panel Sts Andreas Francis

Madonna and Child (middle panel), Sts, . Andreas and Francis (wing inside), around 1530, oil on oak, 31.5 x 26.5 cm (center panel) |, 35.5 x 12 cm (left wing) |, 36 x 12.5 cm (right wing), Not specified, Ambrosius Benson, Lombardei (Mailand?) um 1495-1550 Brugge

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19588778

© Artokoloro

1530 Andreas Center Panel Francis Left Wing Right Wing Ambrosius Benson Mailand

Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

These are individually made so all sizes are approximate

EDITORS COMMENTS
This print showcases the exquisite artwork titled "Madonna Child (middle panel), Sts Andreas Francis" by Ambrosius Benson, believed to have been created around 1530. The painting, rendered in oil on oak, measures approximately 31.5 x 26.5 cm for the center panel, while the left and right wings measure 35.5 x 12 cm and 36 x 12.5 cm respectively. The central focus of this masterpiece is a tender depiction of Madonna and Child, radiating with divine love and serenity. Madonna's gentle gaze towards her child exudes maternal affection, while Baby Jesus looks up at her adoringly. The artist's meticulous attention to detail brings forth an ethereal quality that captivates viewers. Flanking the central panel are two smaller wings portraying Sts Andreas and Francis within intricate frames adorned with delicate motifs. These saints add depth to the composition as they stand in reverence beside Mary and Jesus. Ambrosius Benson's artistic prowess shines through his skillful brushwork and masterful use of color harmonies throughout this piece. The warm hues create a sense of intimacy between the figures depicted, further enhancing their spiritual connection. This print allows art enthusiasts to appreciate every nuance of Benson's work from Lombardei (Mailand?) circa late fifteenth century to mid-sixteenth century Brugge). It serves as a testament to his talent as well as an invitation into a world where faith meets artistic

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