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Tote Bag : Hans Memling Portrait Man Last quarter 15th century
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Hans Memling Portrait Man Last quarter 15th century
Hans Memling: Portrait of a Man, Hans Memling, Last quarter of the 15th century, Oil on panel, Overall: 13 3/8 x 9 7/8 in. (34 x 25.1 cm)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19592263
© Artokoloro Quint Lox
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print showcases the mesmerizing "Hans Memling Portrait of a Man" from the last quarter of the 15th century. Painted by the renowned artist Hans Memling, this exquisite piece is an oil on panel masterpiece that measures 13 3/8 x 9 7/8 inches (34 x 25.1 cm). The portrait depicts a mysterious man whose piercing gaze seems to penetrate one's soul. The meticulous attention to detail in this artwork is truly remarkable, as every brushstroke brings out the subject's individuality and character. The subtle play of light and shadow adds depth and dimension to his face, emphasizing his enigmatic expression. Memling's expertise in capturing human emotions shines through in this portrait, leaving viewers intrigued about the story behind this unknown man. His clothing reflects the fashion trends of that era, further immersing us into the historical context. This print allows art enthusiasts to admire Memling's exceptional talent up close and personal. It serves as a reminder of how art has transcended time, connecting us with individuals who lived centuries ago. Whether displayed in homes or galleries, it invites contemplation and sparks conversations about portraiture during the Renaissance period
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