Tote Bag : Falstaff and the recruits, from Henry IV, Part II, John Cawse, 1779-1862
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Falstaff and the recruits, from Henry IV, Part II, John Cawse, 1779-1862
Falstaff and the recruits, from " Henry IV, Part II", John Cawse, 1779-1862, British
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12646539
© Quint Lox Limited
1779 1862 Armor Discipline Falstaff Henry John Knight Light Obese Oil On Canvas Recruiting Recruits Spear Theater Landholder Obesity
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print captures a scene from the renowned play "Henry IV, Part II" by William Shakespeare. Painted by the talented British artist John Cawse, this oil on canvas artwork brings to life the humorous encounter between Falstaff and his recruits. The central figure of Sir John Falstaff, portrayed in all his glorious obesity, dominates the composition. With a mischievous twinkle in his eye and a dog at his side, he exudes both charm and cunning. Clad in knightly armor and holding a spear, he embodies the paradoxical nature of being both a landholder and an unruly theater character. Surrounded by eager young recruits dressed in their military attire, Falstaff's presence commands attention as he imparts wisdom or perhaps mischief upon them. The interior setting is bathed in warm light that adds depth to each character's expression. Cawse masterfully captures not only the physicality but also the essence of each individual within this theatrical moment. The painting evokes themes of discipline, recruiting efforts, camaraderie among soldiers-in-training while simultaneously highlighting Falstaff's larger-than-life personality. This remarkable piece from 1779-1862 showcases Cawse's skillful brushwork and ability to bring Shakespearean characters to life through visual artistry. It serves as an enduring testament to both Shakespeare's timeless storytelling and Cawse's artistic prowess.
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