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Tote Bag : Cows Watering Place original impression 1862
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Cows Watering Place original impression 1862
Cows at a Watering Place, original impression 1862, printed in 1921. Charles Francois Daubigny (French, 1817-1878). Cliche-verre; sheet: 17.8 x 21.2 cm (7 x 8 3/8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18469897
© Liszt Collection
1817 1878 1921 Charles Francois Daubigny Cliche Verre Cows Original Impression 1862 Printed Watering Place
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print titled "Cows Watering Place" takes us back to the year 1862, capturing a serene scene of cows gathered at a watering place. Created by the talented French artist Charles Francois Daubigny, this original impression was printed in 1921, preserving the timeless beauty of his work. Daubigny's mastery is evident in every detail of this cliche-verre piece. The composition showcases his ability to capture nature's tranquility and simplicity with remarkable precision. As we gaze upon the image, we are transported to a peaceful countryside setting where cows leisurely quench their thirst amidst lush greenery. Measuring 17.8 x 21.2 cm (7 x 8 3/8 in. ), this sheet holds within it an exquisite depiction of rural life during the mid-19th century. Daubigny's delicate strokes and subtle use of light and shadow bring depth and realism to each element portrayed. Charles Francois Daubigny, born in France from 1817 until1878, was renowned for his landscape paintings that often depicted scenes along riversides or near bodies of water. His unique technique using cliche-verre allowed him to combine elements of drawing and photography into one medium. As we admire this remarkable print from the Liszt Collection, let us appreciate not only its artistic value but also its historical significance as a window into an era long gone by. It serves as a reminder that art has the power to transcend time
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