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Tote Bag : Fountains to front of Victoria Rooms
Home Decor from Historic England
Fountains to front of Victoria Rooms
Fountains, Lamps, Balustrades, Railings, Statues and Steps. Bristol. IoE 380289
Historic England is the public body that champions and protects England's historic places
Media ID 431670
© Judy Goodsell Source: Images of England
Ashlar Cast Iron Edwardian Listed Water
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
FEATURES IN THESE COLLECTIONS
> Historic England
> Towns and Cities
> Bristol
> Europe
> United Kingdom
> England
> Bristol
> Bristol
EDITORS COMMENTS
This print showcases the exquisite beauty of the fountains in front of Victoria Rooms, Bristol. The image captures a harmonious blend of architectural elements, from the elegant lamps and ornate balustrades to the intricate railings and majestic statues adorning this Edwardian masterpiece. Judy Goodsell's keen eye for detail has immortalized this scene, allowing us to marvel at its grandeur. The urns, crafted with bronze artistry, stand as silent witnesses to history while adding a touch of sophistication to the surroundings. The cast iron features gracefully complement the listed building's timeless charm, creating an atmosphere that transports us back in time. The ashlar steps leading up to Victoria Rooms beckon visitors with their stately presence. As water cascades down from these magnificent fountains, it adds a sense of tranquility and serenity amidst bustling city life. Judy Goodsell's photograph encapsulates not only the physical attributes but also evokes emotions associated with this iconic location. It invites viewers to appreciate both the craftsmanship involved in constructing such architectural wonders and their significance within our cultural heritage. Through her lens, Goodsell reminds us that historic landmarks like Victoria Rooms are more than just structures; they are living testaments to our shared past and sources of inspiration for generations yet to come.
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