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Tote Bag : Colour Construction, 1922. Artist: Exter, Alexandra Alexandrovna (1882-1949)
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Colour Construction, 1922. Artist: Exter, Alexandra Alexandrovna (1882-1949)
Colour Construction, 1922. Found in the collection of the State Art Museum of the Dagestan Republic, Makhatchkala
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Media ID 19050110
© Fine Art Images/Heritage Images
Abstract Abstract Art Alexandra Alexandrovna 1882 1949 Exter Nonrepresentational Russian Avant Garde
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print showcases the remarkable artwork titled "Colour Construction, 1922" by Alexandra Alexandrovna Exter. As a prominent figure in the Russian avant-garde movement, Exter's innovative approach to art is beautifully displayed in this abstract masterpiece. The painting, which can be found in the esteemed collection of the State Art Museum of the Dagestan Republic in Makhatchkala, Russia, exemplifies Exter's mastery of nonrepresentational forms. With bold brushstrokes and vibrant colors, Exter creates a visually striking composition that captivates viewers with its decorative allure. The use of oil on canvas adds depth and texture to this fine piece of art. Through her unique style and technique, Exter challenges traditional artistic conventions and invites us into a world where imagination takes precedence over representation. The "Colour Construction" serves as an embodiment of Exter's creative genius and her significant contribution to modern art history. This print allows admirers from all corners of the globe to appreciate her groundbreaking work without being physically present at the museum.
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