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Tote Bag : SEVEN DEADLY SINS, 1511. Woodcut by Hans Baldung-Grien, 1511
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SEVEN DEADLY SINS, 1511. Woodcut by Hans Baldung-Grien, 1511
SEVEN DEADLY SINS, 1511.
Woodcut by Hans Baldung-Grien, 1511
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12403904
1511 Allegory Baldung Christianity Damned Death Demon Evil Grien Hans Personification Seven Seven Deadly Sins
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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EDITORS COMMENTS
This woodcut print, titled "SEVEN DEADLY SINS, 1511" is a masterpiece created by the renowned German artist Hans Baldung-Grien in the early 16th century. The intricate details and symbolism within this artwork make it an exceptional representation of medieval Christian beliefs. The print depicts the personification of each of the seven deadly sins: pride, greed, lust, envy, gluttony, wrath, and sloth. Each sin is depicted as a grotesque figure with demonic features and surrounded by various objects that represent their respective vices. This powerful visual allegory serves as a reminder of the dangers these sins pose to one's spiritual well-being. Baldung-Grien's skillful use of woodcut technique brings depth and texture to this piece. The contrast between light and shadow adds an eerie atmosphere that intensifies our perception of evil forces at play. Through his artistic mastery, he successfully captures the essence of damnation and death associated with indulging in sinful behaviors. As we gaze upon this historical artifact from centuries past, we are transported back to a time when religious morality played a significant role in society. It serves as both a cautionary tale against succumbing to temptation and an invitation for introspection on our own moral compasses. This remarkable woodcut print stands as a testament to Baldung-Grien's talent as well as its enduring relevance in exploring human nature's darker aspects. Its presence would undoubtedly enrich any art collection or space dedicated to appreciating
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