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Tote Bag : MARIA ANNE FITZHERBERT (1756-1837). Nee Smythe

MARIA ANNE FITZHERBERT (1756-1837). Nee Smythe



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MARIA ANNE FITZHERBERT (1756-1837). Nee Smythe

MARIA ANNE FITZHERBERT
(1756-1837). Nee Smythe. Wife of the Prince of Wales, the future King George IV of England. Oil on canvas, c1788, by Sir Joshua Reynolds

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12352967

1788 Catholic Hair Hairstyle Joshua Maria Reynolds Sleeve Fitzherbert Smythe


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This portrait print showcases Maria Anne Fitzherbert, a prominent figure in English history. Painted by the renowned artist Sir Joshua Reynolds in 1788, this oil on canvas masterpiece captures the elegance and grace of Mrs. Fitzherbert. Maria Anne Fitzherbert was not only known for her beauty but also for her significant role as the wife of the Prince of Wales, who would later become King George IV of England. This painting immortalizes her timeless charm and sophistication. In this portrait, Maria is depicted wearing a fashionable late 18th-century attire with intricate details that highlight her status as a royal figure. Her hair is styled impeccably, adding to her regal appearance. Sir Joshua Reynolds skillfully portrays Maria's poise and confidence through his masterful brushstrokes. The soft lighting enhances the delicate features of her face while capturing every nuance of expression. This print serves as a reminder of an era when fine art played an essential role in documenting historical figures and their contributions to society. It allows us to appreciate both the artistic talent behind it and the significance of Maria Anne Fitzherbert's place in English history.

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