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Tote Bag : BLACKSMITH, c1250. Jordanus Ruffus, blacksmith and stablemaster to Emperor Frederick II
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BLACKSMITH, c1250. Jordanus Ruffus, blacksmith and stablemaster to Emperor Frederick II
BLACKSMITH, c1250.
Jordanus Ruffus, blacksmith and stablemaster to Emperor Frederick II. Woodcut from a 1502 edition of Ruffuss Libro de la natura di cavalli
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12344741
13th Century Anvil Blacksmith Block Forge Frederick The Great Germany Holy Roman Empire Stable
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
BLACKSMITH, c1250 - A Glimpse into the Skilled Craftsmanship of Jordanus Ruffus
EDITORS COMMENTS
. This print takes us back to the 13th century, where we witness the remarkable work of Jordanus Ruffus, a renowned blacksmith and stablemaster in service to Emperor Frederick II. The woodcut, originating from a 1502 edition of Ruffuss Libro de la natura di cavalli (Book on Horse Nature), beautifully captures the essence of this skilled artisan. In this image, we see Jordanus at his forge, surrounded by tools and materials essential to his craft. With focused determination etched upon his face, he meticulously shapes an iron block upon an anvil. His expertise is evident as he harnesses fire and force to transform raw metal into functional works of art. Beyond being a master blacksmith, Jordanus also holds the esteemed position of stablemaster. This dual role highlights his deep understanding not only of metallurgy but also horsemanship – crucial skills for serving within Emperor Frederick II's court. The woodcut itself showcases intricate details that bring this historical moment to life. From the texture on Jordanus' apron to every stroke illustrating flames dancing in the forge's hearth; it is clear that both artist and subject have left no stone unturned in their pursuit of authenticity. This print serves as a testament to human ingenuity throughout history while paying homage to those who dedicated their lives mastering ancient crafts
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