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Tote Bag : MAITRE PIERRE PATHELIN. Pathelin, the lawyer, tricking the close-fisted draper
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MAITRE PIERRE PATHELIN. Pathelin, the lawyer, tricking the close-fisted draper
MAITRE PIERRE PATHELIN.
Pathelin, the lawyer, tricking the close-fisted draper, Joceaume, out of a piece of cloth. Woodcut from a French edition of the popular theatrical farce, 1490
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Media ID 12320164
1490 Attorney Drama Fabric Farce Pierre
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This woodcut print from 1490 depicts a scene from the popular theatrical farce, "Maitre Pierre Pathelin". The mischievous lawyer, Pathelin, can be seen skillfully tricking the close-fisted draper, Joceaume, out of a precious piece of cloth. This late medieval artwork beautifully captures the essence of Renaissance drama with its intricate details and expressive characters. The image showcases two men engaged in a battle of wits and cunning. Maitre Pierre Pathelin is portrayed as a sly and clever attorney who uses his wit to deceive others for personal gain. On the other hand, Joceaume represents the archetype of a miserly character unwilling to part with his valuable fabric without proper compensation. The woodcut technique employed in this print adds depth and texture to each figure while emphasizing their contrasting personalities. The fine lines and delicate shading bring life to their expressions and gestures, allowing viewers to immerse themselves in this dramatic moment. As an artifact from French culture during the late medieval period, this woodcut offers us insight into both entertainment practices at that time as well as societal attitudes towards lawyers and merchants. It serves as a reminder that even centuries ago, stories about cunning attorneys outsmarting tightfisted individuals were enjoyed by audiences seeking amusement through theater. This remarkable artwork stands as a testament to the enduring appeal of comedic farces throughout history while also showcasing the artistic talent prevalent during the Renaissance era.
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