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Tote Bag : PRIDE & PREJUDICE, 1894. She wanted to compose her own feelings and to make herself

PRIDE & PREJUDICE, 1894. She wanted to compose her own feelings and to make herself



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PRIDE & PREJUDICE, 1894. She wanted to compose her own feelings and to make herself

PRIDE & PREJUDICE, 1894.
She wanted to compose her own feelings and to make herself agreeable to all.
Elizabeth Bennet entertaining Mr. Darcy, his sister, and Mr. Bingley. Illustration by Hugh Thomson for an 1894 edition of Jane Austens novel Pride and Prejudice, first published in 1813

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Media ID 13133305

1813 1894 Austen Bennett Dress Elisabeth Elizabeth Empire Dress Entertainment Hugh Jane Literary Literature Miss Mister Nobleman Novel Performance Pride And Prejudice Regency Sister Table Thomson Upper Class Bingley Fitzwilliam


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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

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Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

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EDITORS COMMENTS
This print takes us back to the enchanting world of Jane Austen's Pride and Prejudice. The year is 1894, but the scene depicted belongs to a time long gone by - the Regency era of early 19th century England. In this illustration by Hugh Thomson, we find ourselves amidst an elegant gathering at Elizabeth Bennet's home. Elizabeth, our spirited heroine, is seen entertaining a select group of guests that includes Mr. Darcy, his refined sister, and the amiable Mr. Bingley. Clad in an exquisite empire dress that epitomizes the fashion of her time, Elizabeth exudes both grace and intelligence as she engages her companions in lively conversation. Thomson's attention to detail is evident as he captures not only the intricate designs on their clothing but also the nuances of their expressions. The table before them holds evidence of their genteel lifestyle - fine china and delicate teacups hint at refined tastes. Through this illustration, we are transported into a world where social class distinctions were paramount yet love could transcend all boundaries. It serves as a reminder that even in a society governed by pride and prejudice, individuals like Elizabeth strive to compose their own feelings while seeking acceptance from others. As admirers of Austen's literary masterpiece or enthusiasts for historical artistry alike can appreciate this timeless depiction which brings together literature, fashion, and noble society into one frame captured with meticulous skill by Hugh Thomson over a century ago.

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