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Francisco De 1746 1828 Collection

Francisco de Goya y Lucientes (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles

Background imageFrancisco De 1746 1828 Collection: Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 24: No hubo remedio

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 24: No hubo remedio (There was no help), first edition, 1799

Background imageFrancisco De 1746 1828 Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Background imageFrancisco De 1746 1828 Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Background imageFrancisco De 1746 1828 Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Background imageFrancisco De 1746 1828 Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Background imageFrancisco De 1746 1828 Collection: Pretty Teacher. 1793-1799 (aquatint)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Background imageFrancisco De 1746 1828 Collection: Portrait of King Ferdinand VII, detail, 1814 (oil on canvas)

Portrait of King Ferdinand VII, detail, 1814 (oil on canvas)
CUL4933289 Portrait of King Ferdinand VII, detail, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 207x140 cm; (add.info.: By GOYA Y LUCIENTES)

Background imageFrancisco De 1746 1828 Collection: Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching

Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching
CUL4870797 Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching, burnished aquatint and chisel (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20, 5x14

Background imageFrancisco De 1746 1828 Collection: Gunpowder factory, oil on table

Gunpowder factory, oil on table

Background imageFrancisco De 1746 1828 Collection: Bulls factory, oil on table (Back: Rifle bulls factory of Josef Mallen in the Sierra

Bulls factory, oil on table (Back: Rifle bulls factory of Josef Mallen in the Sierra de Tardienta (Aragon) in 1811-1813

Background imageFrancisco De 1746 1828 Collection: Driving an ashlar, oil on canvas

Driving an ashlar, oil on canvas

Background imageFrancisco De 1746 1828 Collection: The Angler, oil on canvas

The Angler, oil on canvas

Background imageFrancisco De 1746 1828 Collection: Poverty, drawing No. 258 of the series of sepia gouaches by Francisco de Goya

Poverty, drawing No. 258 of the series of sepia gouaches by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: The Hunter, tapestry made on a cardboard by Francisco de Goya

The Hunter, tapestry made on a cardboard by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: The ring-shaped pastries maker, tapestry made on a cardboard by Francisco de Goya

The ring-shaped pastries maker, tapestry made on a cardboard by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Meeting of witches. Drawing No. 113 of the series of sepia gouaches by Francisco de Goya

Meeting of witches. Drawing No. 113 of the series of sepia gouaches by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Duke of San Carlos, 1815, oil painting by Francisco de Goya

Duke of San Carlos, 1815, oil painting by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: The travelling comedians, 1793, oil painting by Francisco de Goya

The travelling comedians, 1793, oil painting by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Dancing on the banks of Manzanares river, 1777, oil painting by Francisco de Goya

Dancing on the banks of Manzanares river, 1777, oil painting by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Saturn devouring one of his children by Francisco de Goya

Saturn devouring one of his children by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Bullfighting, series of etchings by Francisco de Goya

Bullfighting, series of etchings by Francisco de Goya. Plate 11: The Cid Campeador lancing another bull

Background imageFrancisco De 1746 1828 Collection: Witchess coven (1797-1798), black painting by Francisco de Goya

Witchess coven (1797-1798), black painting by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Last Communion of St. Joseph Calasanz by Francisco de Goya

Last Communion of St. Joseph Calasanz by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: The Wedding, Painting by Francisco de Goya

The Wedding, Painting by Francisco de Goya

Background imageFrancisco De 1746 1828 Collection: Cardinal Borbon, by Francisco de Goya

Cardinal Borbon, by Francisco de Goya



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Francisco de Goya y Lucientes (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles. From bullfighting scenes to political satire, Goya's art captured the essence of his time. In "Pedro Romero killing the halted bull" (1816), Goya depicted the intensity and skill of Spanish bullfighter Pedro Romero. The etching showcases the raw power and danger of this traditional sport. Another notable work by Goya is "Proverbs: Female riddle" (1815-1824). This engraving from his series "Proverbs" exemplifies Romanticism with its mysterious and thought-provoking imagery. Goya's talent extended beyond etchings, as seen in his drawing titled "Equestrian Portrait of Philip III of Spain" (1778). This Baroque-style artwork pays homage to Velazquez paintings while showcasing Goya's own artistic prowess. One cannot discuss Francisco de Goya without mentioning his famous series "Los Caprichos. " In plate 55, aptly named "Wrong. Until Death, " he delves into romantic themes through etching and burnished aquatint techniques. Goya also explored societal issues in works like "Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801" (1816). This piece from "The Art of Bullfighting" series highlights both tragedy and spectacle within this cultural tradition. "The Disasters of War, " another significant collection by Goya, reveals harsh realities faced during wartime. Pieces such as "This Is Worse, " depicting violence, or "Everything is topsy-turvy, " symbolizing chaos, showcase his mastery over etching techniques. "They escape through flames, " yet another haunting image from this series, captures desperation amidst conflict. These artworks can be found in prominent institutions like Madrid's National Library and Prado Museum.