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Tote Bag : The Young Heir Takes Possession of the Misers Effects, plate I from A Rake s
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The Young Heir Takes Possession of the Misers Effects, plate I from A Rake s
KW281805 The Young Heir Takes Possession of the Misers Effects, plate I from A Rakes Progress, from The Works of William Hogarth, published 1833 (litho) by Hogarth, William (1697-1764); Private Collection; (add.info.: rejects his maid whom he had promised to marry; ); Ken Welsh; English, out of copyright
Media ID 12794881
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Avarice Betrayal Counting Money Fitting Greed Inventory Lawyer Pay Off Rake Rejection Tailor Weeping
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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The Young Heir Takes Possession of the Miser's Effects - A Tale of Betrayal and Greed
EDITORS COMMENTS
. In this lithograph by William Hogarth, we witness a pivotal moment in the life of Tom Rakewell, the young heir to a vast fortune. As he stands amidst piles of coins and treasures, his face reveals a mix of excitement and trepidation. The room is filled with an air of anticipation as Tom takes possession of the misers' effects. However, upon closer inspection, we notice a sense of sadness in the eyes of his maid who had been promised marriage by Tom. Her heartbreak is palpable as she realizes that her dreams have been shattered by his newfound wealth. The scene also features other characters who are integral to this tale - an interior tailor fitting clothes for Tom's new lifestyle and a lawyer calculating how much needs to be paid off from debts incurred during his reckless past. Hogarth masterfully captures human emotions through intricate details such as stolen coins hidden beneath papers on the table, symbolizing greed and avarice. The malevolent act becomes apparent as we see Tom counting money while ignoring the tearful pleas from his former lover. This thought-provoking artwork transports us back to 18th-century Georgian England, where moral dilemmas were explored through satirical cartoons like this one. It serves as a reminder that wealth can corrupt even those with good intentions if they succumb to their desires without considering others' feelings or well-being.
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