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Tote Bag : The actor Ichikawa Omezu in the role of the servant Yakko Ippei, 1794 (colour woodblock
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The actor Ichikawa Omezu in the role of the servant Yakko Ippei, 1794 (colour woodblock
XIR253108 The actor Ichikawa Omezu in the role of the servant Yakko Ippei, 1794 (colour woodblock print) by Sharaku, Toshusai (fl.1794-95); 35.5x23.8 cm; Musee Claude Monet, Giverny, France; (add.info.: Better known as aka juban (The red shirt); private collection of Claude Monet; ); Japanese, out of copyright
Media ID 12770056
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Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
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This print showcases the renowned actor Ichikawa Omezu in his unforgettable portrayal of the servant Yakko Ippei. Created in 1794 by Sharaku, Toshusai, this colour woodblock print measures 35.5x23.8 cm and is currently housed at the Musee Claude Monet in Giverny, France. In this striking image, Ichikawa Omezu embodies the character of Yakko Ippei with remarkable intensity and skill. Dressed in a vibrant red shirt known as aka juban, he exudes both strength and vulnerability simultaneously. His piercing gaze captures the essence of his role as a loyal servant, while his poised stance suggests an underlying sense of determination. The attention to detail in this artwork is truly exceptional. Every line and brushstroke contributes to the overall composition, enhancing its dramatic impact. The artist's mastery is evident not only in capturing Ichikawa Omezu's physical likeness but also in conveying his character's emotions through subtle nuances. This piece holds historical significance as it represents a pivotal moment within Japanese theatre culture known as kabuki. It serves as a testament to the enduring power of performance art and its ability to transcend time and cultural boundaries. As we admire this mesmerizing portrait from centuries past, we are reminded that great art has no expiration date; it continues to inspire generations long after its creation.
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