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Tote Bag : Caricature of Francis Harwood, c. 1770 (etching)
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Caricature of Francis Harwood, c. 1770 (etching)
XJF477739 Caricature of Francis Harwood, c.1770 (etching) by Patch, Thomas (1720-82); Private Collection; (add.info.: Francis Harwood (1726-83) British sculptor who worked in Italy at the same time as Patch.); English, out of copyright
Media ID 12910804
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Belly Francis Sculptor Stomach Harwood
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This etching by Thomas Patch, titled "Caricature of Francis Harwood" offers a playful and humorous portrayal of the renowned British sculptor. Created around 1770, this print captures Harwood's distinctive features with exaggerated charm. The artist's skillful use of caricature brings out the essence of Harwood's personality in a lighthearted manner. In this profile view, we see Harwood depicted as a jovial figure with a notably rotund belly. His protruding stomach is humorously emphasized, adding to the overall comedic effect. With his round face and mischievous smile, Harwood exudes an air of contentment and self-assuredness. Patch's attention to detail is evident in every stroke; from the intricate lines defining Harwood's facial features to the carefully rendered folds on his clothing. This etching showcases Patch's talent for capturing not only physical characteristics but also conveying emotions through art. Francis Harwood was known for his work as a sculptor during his time in Italy alongside Patch himself. This print serves as both a tribute to their shared experiences and an amusing representation of their friendship. Displayed against a neutral background, this artwork stands out as an exceptional example of satirical portraiture from the 18th century. It invites viewers to appreciate both its artistic merit and its ability to evoke laughter through clever exaggeration.
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