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Tote Bag : Part of the Piazza in the Palace, 1817 (engraving)
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Part of the Piazza in the Palace, 1817 (engraving)
XJF441956 Part of the Piazza in the Palace, 1817 (engraving) by Bowditch, Thomas Edward (1790-1824); Private Collection; (add.info.: courtyard of the home of Osei Tutu Kwame Asiba Bonsu (d.1824) the Asantehene, ruler of Asante; the Ashanti Empire comprised part of present day Ghana and Cote d Ivoire; ); English, out of copyright
Media ID 12882440
© www.bridgemanart.com
Asante Cote Divoire Courtyard Geometric Pattern Ghana Interior Design Loggia Part Patterned Piazza Skulls Thatched Roof Walls Asantehene Ashanti Empire
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This engraving, titled "Part of the Piazza in the Palace" takes us back to 1817 and offers a glimpse into the grandeur of Osei Tutu Kwame Asiba Bonsu's home. The courtyard, located within the palace grounds, showcases the opulence and architectural finesse that characterized the Ashanti Empire during its reign. The image captures an exquisite blend of African aesthetics and European influence. The thatched roof with its intricate geometric patterns adds a touch of traditional elegance to this royal residence. The patterned walls further enhance the visual appeal, creating a harmonious fusion between artistry and functionality. As we explore deeper into this scene, our attention is drawn to an imposing loggia adorned with regal decorations. This structure serves as both a symbol of power and protection for the king who resided here. It stands as a testament to his authority over Asanteman - an Akan state encompassing parts of present-day Ghana and Cote d'Ivoire. Amidst these architectural marvels lie weapons and skulls, reminding us of the strength and valor associated with Ashanti rulership. These artifacts serve as reminders of past conquests while also showcasing their military prowess. Through this enchanting print by Thomas Edward Bowditch, we are transported back in time to witness not only magnificent architecture but also gain insights into African history and culture. It is truly remarkable how one artwork can encapsulate so much beauty, heritage, power, and tradition within its frame
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