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Tote Bag : The Death of the Wife of Darius III (399-330 BC) 1785 (oil on canvas)
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The Death of the Wife of Darius III (399-330 BC) 1785 (oil on canvas)
XIR216657 The Death of the Wife of Darius III (399-330 BC) 1785 (oil on canvas) by Lagrenee, Louis Jean Francois I (1725-1805); 327x424 cm; Louvre, Paris, France; (add.info.: La Mort de la Femme; abandoned after defeat of Darius at Battle of Issus; Alexander the Great (356-323 BC); ); French, out of copyright
Media ID 12761082
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C04th Deathbed Macedonian Mourners Persian King Dying Mourning Neo Classical
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
The Death of the Wife of Darius III - A Powerful Depiction of Loss and Grief
EDITORS COMMENTS
. In this oil on canvas print, Louis Jean Francois I Lagrenee transports us back to ancient times, specifically to the year 399-330 BC. The monumental artwork, measuring an impressive 327x424 cm, now resides in the Louvre Museum in Paris. The painting portrays a poignant scene from history - the deathbed of the wife of Darius III, codenamed Codomannus. Following Darius' defeat at the Battle of Issus by Alexander the Great, his beloved wife succumbs to her final moments. Surrounding her are mourners who express their sorrow through gestures and expressions that convey profound grief. Lagrenee's masterful brushstrokes capture not only human emotion but also architectural details with precision. The tent in which this heart-wrenching event takes place is depicted with remarkable accuracy and attention to texture. This neo-classical masterpiece serves as a testament to Lagrenee's ability to evoke powerful emotions within viewers. As we gaze upon this scene frozen in time, we cannot help but reflect on our own experiences with loss and mourning. Through its historical subject matter and artistic brilliance, "The Death of the Wife of Darius III" invites us into a world long past while reminding us that themes such as love, loss, and grief remain timeless throughout human existence.
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