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Tote Bag : Facade of Villa Medicea, called the Ferdinanda or the villa of the hundred chiminees in
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Facade of Villa Medicea, called the Ferdinanda or the villa of the hundred chiminees in
LRI4586145 Facade of Villa Medicea, called the Ferdinanda or the villa of the hundred chiminees in Artimino, 1596-1600 (photography) by Italian School, (16th century); Villa Medicea, Artimino, Italy; (add.info.: Facade of Villa Medicea (medici or mediceenne) called the Ferdinanda or the " Villa dai cento camini" (the villa of hundred chiminees" a Artimino built for the Grand Duke Ferdinand I of Medici. 1596-1600 Tuscany, Italy. Photography.); Luisa Ricciarini; Italian, out of copyright
Media ID 23326402
© Luisa Ricciarini / Bridgeman Images
Homemade Medicis Family Cinquecento Exterior View
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This photograph captures the grandeur of the Facade of Villa Medicea, known as the Ferdinanda or the villa of the hundred chimneys in Artimino. Built between 1596 and 1600 for Grand Duke Ferdinand I of Medici, this magnificent villa stands proudly amidst the picturesque landscape of Tuscany, Italy. The intricate details and exquisite architecture showcased in this image are a testament to the rich history and artistic brilliance of Italian design. The villa's facade is adorned with numerous chimneys, earning it its nickname "the villa of hundred chimneys". Each chimney adds a touch of elegance to an already impressive structure. Photographer Luisa Ricciarini skillfully captures every aspect of this architectural masterpiece. The play between light and shadow emphasizes the depth and texture present in each stone that makes up this stunning facade. Ricciarini's choice to capture this image in black and white further enhances its timeless beauty. As we gaze upon this print, we are transported back in time to an era where opulence reigned supreme. It serves as a reminder not only of Italy's rich cultural heritage but also as an inspiration for future generations who strive to create enduring works that stand as testaments to human creativity.
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