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Tote Bag : Study of Clouds over a Landscape, c. 1821-22 (oil on laminate cardboard
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Study of Clouds over a Landscape, c. 1821-22 (oil on laminate cardboard
877362 Study of Clouds over a Landscape, c.1821-22 (oil on laminate cardboard, mounted on canvas) by Constable, John (1776-1837); 28.2x30.7 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton; English, out of copyright
Media ID 23243666
© Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton / Bridgeman Images
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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EDITORS COMMENTS
In this photo print, we are transported back to the early 19th century as we witness John Constable's meticulous "Study of Clouds over a Landscape". Painted between 1821 and 1822, this masterpiece showcases the artist's profound understanding of meteorology and his ability to capture the essence of English weather. The landscape before us is a quintessential depiction of rural England. The rolling hills and vast expanse of countryside create a serene backdrop for Constable's main focus: the clouds. With delicate brushstrokes, he skillfully portrays an array of cloud formations that dominate the canvas. From billowing cumulus clouds to wispy cirrus streaks, each formation seems alive with movement. Constable's fascination with weather and climate shines through in this study. His attention to detail allows us to appreciate not only the beauty but also the scientific significance behind these natural phenomena. As we gaze at this artwork, we can almost feel the cool breeze on our skin and hear distant rumblings from an approaching storm. This particular print is housed in Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, thanks to its generous donation by Manton Art Foundation in memory of Sir Edwin and Lady Manton. It serves as a testament to Constable's enduring legacy as one of Britain's greatest landscape painters. Through Bridgeman Images' impeccable reproduction techniques, we have been granted access into Constable's world—a world where art seamlessly intertwines with science, capturing both nature’s
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