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Tote Bag : A Magistrate Playing Cards with a Masked Man (w / c on paper)
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A Magistrate Playing Cards with a Masked Man (w / c on paper)
XIR192858 A Magistrate Playing Cards with a Masked Man (w/c on paper) by Grevenbroeck, Jan van (1731-1807); Museo Correr, Venice, Italy; (add.info.: Procureur de la Republique Tirant les Cartes et Noble Masque; ); Dutch, out of copyright
Media ID 12703665
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Candle Coins Gambling Judge Mask Nobleman
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
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EDITORS COMMENTS
In this intriguing print titled "A Magistrate Playing Cards with a Masked Man" we are transported to a scene of mystery and intrigue. Painted by Jan van Grevenbroeck in the 18th century, this watercolor on paper captures the essence of a clandestine gambling session. The central figure, a magistrate dressed in rich robes and adorned with an elaborate wig, sits at a table covered with coins and money. He engages in an intense game of cards with a masked man whose identity remains concealed. The atmosphere is heightened by the flickering candlelight that casts eerie shadows across their faces. The contrast between the two players is striking - one representing authority and power, while the other shrouded in secrecy. The masked man's costume hints at his noble status, adding another layer of complexity to their encounter. This artwork raises questions about hidden identities, social hierarchies, and perhaps even corruption within judicial systems. It invites us to ponder whether justice can truly be blind when those who enforce it engage in questionable activities behind closed doors. Displayed at Museo Correr in Venice, Italy, this piece serves as both entertainment and commentary on human nature's darker aspects. As we gaze upon it today, we are reminded that art has always been a powerful medium for exploring complex themes that transcend time and place.
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