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Tote Bag : Rheingold, first scene, 1888 (oil on canvas)
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Rheingold, first scene, 1888 (oil on canvas)
XKH146471 Rheingold, first scene, 1888 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 115x77 cm; Hamburger Kunsthalle, Hamburg, Germany; (add.info.: the artist saw the opera at the Bayreuth Opera house in 1876; Durster in the shadow, Aberich above him; three river maidens Woglinde, Wellgunde, Flosshilde; ); French, out of copyright
Media ID 12757772
© www.bridgemanart.com
Mermaid Nymph Ring Cycle River Rhine Shimmering Rhine Gold
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
The captivating print of "Rheingold, first scene, 1888" by Ignace Henri Jean Fantin-Latour takes us on a mesmerizing journey into the world of Richard Wagner's opera. This oil on canvas masterpiece, measuring 115x77 cm, is housed in the prestigious Hamburger Kunsthalle in Hamburg, Germany. Fantin-Latour was deeply inspired by his visit to the Bayreuth Opera house in 1876 and sought to immortalize the enchanting tale through his brushstrokes. In this scene, we witness Durster lurking in the shadows while Aberich looms above him. The three river maidens - Woglinde, Wellgunde, and Flosshilde - grace the canvas with their ethereal presence. As gold shimmers throughout the painting, it beautifully captures the essence of Wagner's epic Ring Cycle. The nymph-like Rhein daughters embody mermaid-like qualities as they guard Rhine Gold at the bottom of River Rhine. Their allure and mystique are palpable as they become an integral part of this mythical narrative. This print not only showcases Fantin-Latour's artistic prowess but also pays homage to Wagner's enduring legacy. It transports viewers into a realm where music intertwines with visual artistry seamlessly. As we gaze upon this remarkable piece from www. bridgemanart. com, let us immerse ourselves in its splendor and appreciate how it brings together two art forms that continue to captivate
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