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Tote Bag : Marc Pierre de Voyer (1696-1764) Count of Argenson (pen & ink and w / c on paper)

Marc Pierre de Voyer (1696-1764) Count of Argenson (pen & ink and w  /  c on paper)



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Marc Pierre de Voyer (1696-1764) Count of Argenson (pen & ink and w / c on paper)

XIR180051 Marc Pierre de Voyer (1696-1764) Count of Argenson (pen & ink and w/c on paper) by Rigaud, Hyacinthe Francois (1659-1743); 42x33 cm; Musee Atger, Faculte de Medecine, Montpellier, France; French, out of copyright

Media ID 12745450

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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This portrait print showcases Marc Pierre de Voyer, the Count of Argenson, a prominent French minister of state during the 18th century. Created by renowned artist Hyacinthe Francois Rigaud, this artwork beautifully captures the essence and grandeur of its subject. In this stunning piece, we see the Count seated confidently in his silk robes, exuding an air of authority and sophistication. His meticulously styled wig adds to his regal appearance, emphasizing his status as a member of the aristocracy. The attention to detail is impeccable; every brushstroke brings out the intricate patterns on his robes and highlights the subtle nuances in his expression. As a politician and counselor, Marc Pierre de Voyer played a significant role in shaping France's political landscape during his time. This portrait not only immortalizes him but also serves as a testament to his influence and power. Displayed at Musee Atger in Montpellier, France, this print offers viewers an opportunity to appreciate both Rigaud's artistic prowess and Argenson's historical significance. It is a window into an era where politics intertwined with opulence and elegance. With its rich colors and masterful technique, this artwork transports us back to a time when influential figures like Marc Pierre de Voyer commanded respect through their presence alone.

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